

The Telegraph has described the album as a "classic sixties London 12-bar blues rock debut", while also calling it "raw, physical, high spirited and blessed with the exceptional playing of Peter Green". He also ranked it as the 4th greatest Fleetwood Mac album. Writing for Ultimate Classic Rock, Nick DeRiso described the album as a "stellar debut" and "maybe the best album from the British blues boom". TeamRock describes it as a "marvellous debut that established the group as the best British blues band of the day". Modern attitudes to the album are also largely positive, and many critics argue the album is one of the highlights of the British blues bloom. Upon release, Barry Gifford (writing for Rolling Stone) praised the album, and described it as "potent enough to make the South Side of Chicago take notice". The album sold well in the UK, reaching number four on the British charts. McVie subsequently joined Fleetwood Mac, replacing Brunning. Shortly after Fleetwood Mac's live debut, McVie left the Bluesbreakers following Mayall's decision to add a horn section to the lineup. īy the time of the Windsor Festival, Green had already gained recognition for replacing guitarist Eric Clapton in John Mayall's Bluesbreakers, which helped boost the band's profile.

Green later stopped by a Levi Set's gig in Lichfield and informed Spencer that he was a member of Fleetwood Mac.

Vernon played Green a demo tape of the band to show Spencer's guitar playing. The guitarist's name was Jeremy Spencer, who had formed his own band called the Levi Set Blues Band in the mid 1960s. Fleetwood Mac's producer, Mike Vernon told Green of an "amazing slide guitarist" while searching for new bands to add to the label's roster. Green was adamant about recruiting a second guitarist in Fleetwood Mac to divert some of the spotlight away from him. Bob Brunning answered the ad and was told the band would play at the Windsor Jazz & Blues Festival in a month. Green advertised in Melody Maker for a temporary bassist in hopes that McVie would eventually join as a full-time member. While Fleetwood, who had been fired from The Bluesbreakers, was willing to join immediately, McVie was initially hesitant. After this recording session, Green approached Fleetwood and McVie with the idea of forming a new band. The other three songs recorded that day were "First Train Home", "Looking for Somebody" and "No Place to Go". Four songs came out of the recording sessions, one of them being an instrumental called "Fleetwood Mac", named after the rhythm section, Mick Fleetwood and John McVie.
FLEETWOOD MAC ALBUMS RANKED FREE
On 19 April 1967, John Mayall, the frontman of John Mayall & the Bluesbreakers, gave his bandmate Peter Green free studio time at the Decca Studios in West Hampstead, London to use as he wished. Īn expanded version of this album was included in the box set The Complete Blue Horizon Sessions. As of June 2015, the album has sold over 150,000 copies in the US. Even though the album has sold over a million copies in the UK, it has never received a certification there. The album barely made the charts in the US, reaching No. 4 and stayed on the charts 37 weeks, despite the lack of a hit single. The release of the album brought the band overnight success in the UK, the album reached No.

It is the only album by the band without any involvement of keyboardist/vocalist Christine McVie. The album is a mixture of blues covers and originals penned by guitarists Peter Green and Jeremy Spencer, who also share the vocal duties. Fleetwood Mac, also known as Peter Green's Fleetwood Mac, is the debut studio album by British blues rock band Fleetwood Mac, released on 24 February 1968.
